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Alec apologises cravenly for a situation that “must seem inexpressibly vulgar” while Stephen taunts him with sarcastic remarks about doctors needing to see their female patients privately. ![]() She flees through the tradesman’s entrance but leaves her scarf, which Stephen spots. Late on, the pair are almost caught in flagrante by Alec’s friend, Stephen, who comes back to his house unexpectedly. Basically, it is a comment on class,” critic Dilys Powell noted. “You can’t help but feel that it is not so much the immorality of sexual infidelity that holds back as the basic social humiliation of the circumstances. In another scene, looking for words to describe the man she has fallen for, the best Laura can come up with is: “He’s awfully nice.” Tales of amour fou don’t come any more straitlaced than this. “Yes, I know,” she replies, equally deadpan, but both are far too “sensible” to give in to their emotions. “I’ve fallen in love with you,” Alec tells Laura in matter-of-fact fashion as if he is delivering a diagnosis of a minor chest ailment. Having an affair wouldn’t only be selfish and hurtful. They’re too terrified of the opprobrium of their friends and neighbours to step out of line. From one vantage point, the behaviour of the would-be lovers is indeed absurd. These squibs at the expense of Lean’s film are partially justified. They steal away one afternoon to watch a B movie called Flames of Passion at the local cinema but the only real heat here comes from the steam belching forth from the railway engines. The closest the film comes to real physical intimacy is when the couple kiss on a sofa. Instead of sex scenes, Lean shows the audience shots of trains disappearing into tunnels as Rachmaninov music pounds away on the soundtrack. They’re quintessentially middle-class types who sublimate their true feelings about their mutual attraction. The couple meet by chance on the platform at Milford Junction Station when a speck of dust gets in Laura’s eye and the doctor helps remove it. Written by Noel Coward, this story about an unconsummated love affair between a suburban, Home Counties housewife, Laura (Celia Johnson), and a swarthy doctor, Alec (Trevor Howard), has long been parodied as well as praised. ![]() The film split opinion 76 years ago and continues to do so today. Another called it “the definitive document of middle-class repression”. We don’t get to exchange war stories yet.” That’s a huge “preach, girl” moment for me haha.Make tea, not love,” one critic summed up the underlying message in David Lean’s Brief Encounter (1945). You lived in the pool house for a few months. The moment when Lorelai says (paraphrased), “I spent 16 years there. Plus even wen she reconciled with Lorela she tries to act like she survived the trenches of living with Emily. And then she gets her grandparents to let her live in the elegant pool house at their mansion and then acts indignant when her overbearing grandmother acts exactly how she has always acted and so she just leaves without a word and gives them the cold shoulder. If there had been more build up of stress and issues going on with her I probably wouldn’t have minded as much but it was just too fast of a tailspin for me where she experienced one moment of adversity and completely flew off the rails by committing a felony and dropping out of school. 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The script dishes out surprises aplenty - including one that doesn’t entirely come across as honest but remains effective nevertheless - as the film moves to a hilarious showdown that recalls screwball comedies of yore.īecause this is an ensemble effort, it’s almost unfair to highlight any one person in the cast. ![]() To further complicate matters of the heart, playboy Jacob is initially spurned by intriguing lawyer-to-be Hannah (Emma Stone), who doesn’t fall for his smarmy but effective pickup lines and fancy threads.Īs these characters’ lives become further entangled, themes about love unrequited and love in need of major repairs play out in ways both amusing and poignant. Meanwhile, Cal and Emily’s 13-year-old son, Robbie (Jonah Bobo), determinedly pursues baby-sitter Jessica (Analeigh Tipton), who has developed a secret crush on Cal. Jacob takes Cal under his wing and does a My Fair Buddy shtick on him, transforming him into a bit of a player. Then the camera lands on the worn-out sneakers of Cal and Emily’s faraway feet.Īfter Emily’s revelation, Cal rents a nondescript apartment and starts to hang out at a posh bar where he meets his polar opposite - playboy Jacob Palmer (Ryan Gosling), a chiseled Adonis who looks as if he stepped off the latest GQ cover. As the camera courses through a restaurant we see the sometimes playful below-the-table foot rubs between other well-soled patrons. “Crazy, Stupid, Love” clicks where others fail, thanks to a confluence of factors: the risky screenplay by screenwriter Dan Fogelman (Pixar’s “Cars”), the shrewd mix of edgy and conventional direction from Glenn Ficarra and John Requa, and a dream cast that includes Steve Carell, Ryan Gosling, Julianne Moore and Emma Stone.Ĭarell plays Cal, an average, middle-age guy who falls through a trap door when his wife, Emily (Moore), announces she not only wants a divorce but also has had an affair with a co-worker (Kevin Bacon).Įven though we don’t witness what Emily and Cal were like before the breakup, we get an inkling that their passion has all but died in an opening shot. They are flawed, funny and hurting as they blunder through dealings with love, life and family. In “Crazy, Stupid, Love,” no one’s that kind of an overstraining people-pleaser. ![]() Most romantic comedy characters - especially the women - are preposterously cute, kooky and so jacked up on NutraSweet they’re not even remotely genuine. It obligingly tips its hat to genre conventions, but strives to do something distinctive by giving us something more than pretty people saddled with rote, easily solvable romantic contrivances. Unlike many recent flubs, from the gutless “Larry Crowne” to the overstuffed “Valentine’s Day,” this sly confection from the directing team of “I Love You Phillip Morris” is unique and bursting with messy life. Just when we’re about ready to write off the ensemble romantic comedy for good, along comes “Crazy, Stupid, Love” to sweep us off our feet with the irresistible charm of a Mr. Review: ‘Crazy, Stupid, Love’ is funny, smart, fantastic – The Mercury News Close Menu |
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